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2020
- handle: 10670/1.26o423
- isbn: 9781118843208
- halshs: halshs-03116982
- doi: 10.1002/9781118843215.ch2b.5
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info:eu-repo/semantics/altIdentifier/doi/10.1002/9781118843215.ch2b.5
Mots-clés
Rhythm Prosody Free verse British Poetry - Twentieth Century British Poetry - Twenty-First Century Rhythme Vers libre Poésie britannique XXe siècle Poésie britannique XXIe siècleSujets proches
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Lacy Rumsey, « Free Verse and Open Form », HAL-SHS : littérature, ID : 10.1002/9781118843215.ch2b.5
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Résumé
This chapter discusses ways in which British and Irish poets of the period 1960–2015 used the formal resources of free verse and open forms. Following a discussion of terminological and historical questions, work by major poets of the period, including Seamus Heaney, Geoffrey Hill, Ted Hughes, R. F. Langley, Maggie O'Sullivan, J. H. Prynne, Tom Raworth, and Denise Riley, is analyzed. Particular attention is paid to patterns of alignment and disalignment, and to rhythm, which is described using beat prosody.