Ronald Schuchard, The Last Minstrels: Yeats and the Revival of the Bardic Arts (Oxford: Oxford University Press, 2008), xxvi + 446 pp.
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1 juin 2015
- handle: 10670/1.27cyh6
- isbn: 9781909254350
- eisbn: 9782821854017
https://creativecommons.org/licenses/by/4.0/ , info:eu-repo/semantics/openAccess
Mots-clés
littérature irlandaise poésie Irish poetry Irish literature Literature, British Isles LIT004120 DSBSujets proches
Ala Salterio Speaking Chanting Speaking Language and languages--Rhetoric News media Media, News Media, The Christian preaching Speaking Homiletics Argumentation Speaking Oratory, Primitive Jongleurs World literature Western literature (Western countries) Belles-lettres Addresses Lecturing Speaking Discourses Chanting Qurʼan--Chanting Qurʼan--Musical declamation Qurʼan--Melodic reading Qurʼanic recitations--History and criticism Oratory, Extemporaneous Speaking Impromptu speaking Speaking Declamation Argumentation Speaking Arts, Occidental Arts, Western Fine arts Arts, Fine tepeCiter ce document
Matthew Campbell, « Ronald Schuchard, The Last Minstrels: Yeats and the Revival of the Bardic Arts (Oxford: Oxford University Press, 2008), xxvi + 446 pp. », Open Book Publishers, ID : 10670/1.27cyh6
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Even for Yeatsians, mention of W. B. Yeats and Florence Farr’s long experimentation with the chanting of verse to the accompaniment of Arnold Dolmetsch’s psaltery can evoke exasperation, if not mockery. Here is George Moore, relaying some gossip about rehearsals for an 1899 production of The Countess Cathleen: [Edward Martyn] had come to tell me that Yeats had that morning turned up to rehearsal, and was now explaining his method of speaking verse to the actors, while the lady in the green cl...