Fiche du document
2005
- handle: 10670/1.4kzg92
- 1697-0101
Ce document est lié à :
http://www.redalyc.org/revista.oa
Trans. Revista Transcultural de Música
Mots-clés
ArteSujets proches
Serious music Musical compositions Art music Musical works Classical music Western music (Western countries) Art music, Western Western art musicCiter ce document
Mark Reybrouck, « Body, mind and music: musical semantics between experiential cognition and cognitive economy », Trans. Revista Transcultural de Música, ID : 10670/1.4kzg92
Métriques
Partage / Export
Résumé
"This article argues for a processual and experiential approach to dealing with music.Starting from the theoretical writings of James, Dewey and von Uexküll as well asfrom empirical evidence from current neurobiological research, it introduces anadaptive model of sense-making, relying heavily on the epistemological paradigmsof embodied and experiential cognition. Central in this approach is an enactiveconception of music cognition as the outcome of interactions with the sounds,stressing the role of the cogniser as an actor who constructs and organises his/herknowledge. This involves low-level reactive machinerya kind of lock-and-keyaswell as higher-order cognitive mediation that goes beyond mere causality and thatallows the music user to cope with the sounds."