18 mai 2017
info:eu-repo/semantics/OpenAccess
Yannick Butel, « A CONQUISTA DO ESPAÇO VARIAÇÃO SOBRE UMA ARTE DO ENCONTRO: O GESTO BARROCO 1 », HAL-SHS : histoire de l'art, ID : 10670/1.4pu5zy
If this article has a critical point of view , it is because it focuses on the goals and objectives of theatrical practices that, in an ideological-economic context, are at the service of the interest of “community-making”. This is due to the structural organization of the theater (both theatrical elements and the entertainment industry) which is part of the idea of “common factory”, wher e the notion of the public (and consequently of the people) is preferred to the notion of individual (ie banal, anonymous singularity). In view of such strategical organization of the theatrical phenomenon, practices in open spaces can then be consider ed as an alternative that incorporates the model of “biopolitics”, whose objective is to free life, to withdraw it from the institutional training commented by Michel Foucault in “The Will to Know”, when he analyzes “biopower”.