‘It is important artists react to the world in which we all live’: An interview with Philippe Manoury on Lab.Oratorium
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10 juin 2020
- ISIDORE Id: 10670/1.511de6...
- hal: hal-02863819
- doi: 10.1017/S0040298220000224
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Mots-clés
migration Mediterranean Manoury Philippe music twenty-first century Lab.Oratorium IRCAM Arendt Hannah Trakl Georg music and politics Nietzsche Friedrich Bachmann IngeborgSujets proches
Serious music Musical compositions Art music Musical works Classical music Western music (Western countries) Art music, Western Western art musicCiter ce document
Luis Velasco-Pufleau et al., « ‘It is important artists react to the world in which we all live’: An interview with Philippe Manoury on Lab.Oratorium », HAL SHS (Sciences de l’Homme et de la Société), ID : 10.1017/S0040298220000224
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Lab.Oratorium (2019) is the concluding part of Philippe Manoury’s Köln Trilogy. It follows In situ (2013) and Ring (2016) in exploring the spoken voice as a musical element, the wider possibilities of the orchestra, and the use of sound spatialization and live electronics. Lab.Oratorium is also a work deeply rooted in the present. In this interview, Philippe Manoury discusses the political and poetic significance of this work, conceived as an artistic response to Europe’s responsibility in the tragic situation of migrants around the Mediterranean. He also develops his thoughts on musical form, spatialization, and creative process in music.
