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2 février 2018
- handle: 10670/1.5bfvh0
- isbn: 9782878541083
- eisbn: 9782878548679
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
Mots-clés
Europe Grande-Bretagne Écosse siècle des Lumières Literature, British Isles International Relations HIS015000 HBJD1Sujets proches
International visitors Visiting foreigners Foreigners Foreigners, Visiting Foreign visitors Semeiotics Signs Symbolic representation Symbols Representation, Symbolic Signs Signage Guide signs Sign-boards Signs and sign-boards Guide-posts Guideposts Signs (Advertising) Signboards Fine prints World literature Western literature (Western countries) Belles-lettres Coexistence Foreign relations Peaceful coexistence World order Foreign policy Interdependence of nations International affairs Global governance Foreign affairs Foreign-born population Foreign population Emigrants Foreigners Migrants Supposition Assumption Historiographers Council of Europe countries Engravings Siderography Copper engraving Line-engraving Steel-engraving Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries) Foreign population Resident aliens Aliens--Legal status, laws, etc Noncitizens Foreign residents Foreign citizens (Aliens) Foreigners Unnaturalized foreign residents Expatriates Enemy aliens ArtsCiter ce document
Peter Wagner, « The Continental Foreigner in Hogarth's Graphic Art », Presses Sorbonne Nouvelle, ID : 10670/1.5bfvh0
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I There are foreigners galore, and not only of the Continental variety, in Hogarth's graphic images. As traces of contemporary verbal and visual discourse, they are easily mistaken for signs of the real. In fact, historians have often exploited—and indeed misused—Hogarth's engravings as visual support for their arguments, with the tacit assumption that the Hogarthian prints express eighteenth-century English reality, that they are, in other words, naturalistic and realistic and therefore reli...