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2018
- ISIDORE Id: 10670/1.68f54e...
- hal: hal-01986334
- doi: 10.15203/ATeM_2018_2
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info:eu-repo/semantics/altIdentifier/doi/10.15203/ATeM_2018_2
info:eu-repo/semantics/OpenAccess
Mots-clés
Mélisande Debussy sémiostylistiqueSujets proches
Curry (Spice) Powder, Curry Currie powder Operas--History and criticism Opera, Comic Opera--History and criticism Comic opera Lyric drama Arts, Occidental Arts, Western Fine arts Arts, Fine Methods of analysis Analysis and chemistry Analytical methods Chemical analysis Analysis methods Analysis and examination Spectateurs Public Auditoire Assistance (public) Visiteurs Fréquentation Audience Carry Cary Cari Poudre de curry Analyse chimique Dosage Création lyrique Théâtre lyrique Musique dramatique Art lyrique Drame lyrique Oeuvres d'artCiter ce document
Anne Claire Gignoux, « Le mystère Mélisande : une analyse sémiostylistique du personnage de l'opéra de Debussy », HAL SHS (Sciences de l’Homme et de la Société), ID : 10.15203/ATeM_2018_2
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Résumé
Mélisande, the central figure of Debussy’s opera (1902), uses verbal language as well as musical lan-guage. The present study intends to carry out a semiotic analysis of her character made of mystery and neurosis (as is usual with several female heroines in the second half of the nineteenth century). Relying on intersemiotic and stylistic devices, the analysis of various scenes in which Mélisande ap-pears will show how Debussy’s Pelléas et Mélisande manages to combine text and music.
