Cinephilia History or Historicity Of Film Connoisseurship ? Rethinking The Authority Of "Ordinary" Connoisseurs' Discourses On Quality Of Movies In Media History Research
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26 novembre 2015
- handle: 10670/1.698lkq
- halshs: halshs-01861712
http://creativecommons.org/licenses/by-nc-sa/ , info:eu-repo/semantics/OpenAccess
Mots-clés
Appraisal processes Appraisal discourse Cognitive Appraisal Historicity of perception moviegoing Media Studies Cultural sociology Experts and novices movie experience sociology quality of movies Quality Award Cinephilia Quality Criteria Quality Indicators Quality Methods Quality measure Historicity of meaning Historicity of scientific contentsSujets proches
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Frédéric Gimello-Mesplomb, « Cinephilia History or Historicity Of Film Connoisseurship ? Rethinking The Authority Of "Ordinary" Connoisseurs' Discourses On Quality Of Movies In Media History Research », HAL-SHS : sciences de l'information, de la communication et des bibliothèques, ID : 10670/1.698lkq
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Résumé
This communication maps these recent developments of the social sciences and their heuristic cross-connections to the media history and film studies research methodologies. We argue history of cinephilia can be seen as the history of an ordinary knowledge and a socialization process about movies never totally stabilized and needing to be studied in its process of stabilization. We could finally consider major lines of re-assessment by sociologists studying the arts considering it to movies appraisal: firstly, a reconsideration of the relationship between sociological and other disciplinary approaches to film criticism; and secondly, the term of “social construction” for the movie appraisal process understood through when Norbert Elias worked on social construction of talent (Elias, 1993) as per cultural economists or sociologists and, finally, the sociology of the criticism conceived as a contingent social fact.