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30 avril 2019
- ISIDORE Id: 10670/1.6e65f2...
- hal: hal-05101486
- doi: 10.17951/lsmll.2019.43.1.15-26
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info:eu-repo/semantics/altIdentifier/doi/10.17951/lsmll.2019.43.1.15-26
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Mots-clés
music and politics voice music and literature 19th Century Romanticism music and politics voice music and literature 19th Century RomanticismSujets proches
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Aleksandra Wojda, « Chanter au singulier : esthétiques et politiques de la voix romantique », HAL SHS (Sciences de l’Homme et de la Société), ID : 10.17951/lsmll.2019.43.1.15-26
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Résumé
The article proposes a reflection concerning the connections between the voice representations or vocal practices, worked out towards the end of the Enlightenment period and in the first decades of the 19 th century in the French cultural area, and the birth of the socio-economic system characteristic of the bourgeois society. The paper focuses, in particular, on political presuppositions -in the Aristotelian sense of the word « political » -on which all the uses of voice, both spoken and sung, are based. The objective of the study is to understand the status of voice and singing in the process of creation of a modern anthropology.
