Musik in Krisenzeiten: Konflikte und Kriege Musique en temps de crise : Conflits et guerres Musica nei tempi di crisi: Conflitti e guerre Music in Times of Crises: Conflicts and Wars Carnaval de Barranquilla: Hybridization Dynamics and Patrimonialization Process
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2022
- handle: 10670/1.6xahst
- hal: hal-03917086
- doi: 10.36950/sjm.39.11
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info:eu-repo/semantics/altIdentifier/doi/10.36950/sjm.39.11
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Mots-clés
Carnival commodity fetichism Colombia Barranquilla Carnaval de Barranquilla patrimonialization capitalization postmodernity postcolonialism cultural hegemony popular culture World heritage Colombie Carnaval Patrimonialisation UNESCO Patrimoine culturelSujets proches
Service of process Service of papers Abuse of process ProcessCiter ce document
Iván David Buelvas Arrieta et al., « Musik in Krisenzeiten: Konflikte und Kriege Musique en temps de crise : Conflits et guerres Musica nei tempi di crisi: Conflitti e guerre Music in Times of Crises: Conflicts and Wars », HAL-SHS : histoire de l'art, ID : 10.36950/sjm.39.11
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Résumé
The Carnaval de Barranquilla is one of the most important cultural events in Latin America. In 2003, UNESCO declared it a Masterpiece of the Oral and Intangible Heritage of Humanity, and in 2008 it was included on the Representative List of the Intangible Cultural Heritage of Humanity. Based on an anthropological standpoint, this article explores, describes and discuss in a critical way the process of patrimonialization that is gradually transforming the Carnaval as a commodity fetichism, a dynamic of capitalization offering an economic value to a popular culture expression. In a context of social violence, economic inequalities and political corruption, the process of heritagization transformed a popular celebration in a complex industry and a discutable cultural enterprise