5 juillet 2023
https://www.openedition.org/12554 , info:eu-repo/semantics/openAccess
Le Cor Gwen, « “A Divergent Elsewhere”: Erasure and Layering in Tree of Codes by Jonathan Safran Foer and The Desert by Jen Bervin », Presses universitaires de Paris Ouest, ID : 10670/1.948w5k
In an interview with the New York Times, Jonathan Safran Foer described Tree of Codes as a kind of unplugged work of art: “On the brink of the end of paper, I was attracted to the idea of a book that can’t forget it has a body.” A book, then, that refused to become an electrical current. This might seem a curiously paradoxical place to start with when focusing on the digital, yet, in the very conception of his work, Foer produced a hybrid object which not only challenges what a book is, but a...