25 mai 2023
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Sylvie Mokhtari, « Editorial », Critique d’art, ID : 10670/1.9y3wfp
Over the past six months, the publishing world has seen a spate of writings either about the same particular subject or by the same author. The publications accompanying the Beuys exhibition at Beaubourg, the Jacqueline Chambon (Nîmes) and Le Passeur (Nantes) editions of Daniel Soutif’s writings, and the Flammarion edition of André Chastel’s writings are all good examples of this overlap. This turn of events has not escaped the eye of Critique d’art, which has chosen, in this issue, to focus ...