19. Otello at the Royal Lyceum (1889)

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1 juin 2017

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OpenEdition Books

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https://creativecommons.org/licenses/by/4.0/ , info:eu-repo/semantics/openAccess


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The Milan premiere of Otello offered itself as an opportunity for the English critics not only to report on a momentous event in the history of Italian opera, but also to elaborate on the figure of Verdi as a man and a composer. The content of the London press in 1887 makes clear that he was considered the most authoritative and, in fact, the only living representative of the Italian operatic tradition. Some correspondents published lengthy retrospectives of his industrious career, while othe...

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