4 avril 2024
info:eu-repo/semantics/restrictedAccess , https://creativecommons.org/licenses/by-nc-nd/4.0/
Ece Vitrinel, « Evolution of Turkey’s Cinematic Landscape and the Role of the Institut français », Presses universitaires du Septentrion, ID : 10670/1.bgvwgt
“In the middle of Istanbul movie houses, My mother won’t hear of my exile” (Orhan Veli, )Today’s audiences are admittedly faced with a massive amount of film releases to choose from, as well as a plethora of screening venues. Spectators thus feel more or less lost all over the globe. However, this sentiment appears to be even more pronounced when it comes to Turkey’s cinematic landscape, which is based on a two-tier system. For one thing, only a handful of domestically produced films enjoy t...