3. The Public Sphere and the Emergence of Copyright: Areopagitica, the Stationers’ Company, and the Statute of Anne
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14 février 2013
- handle: 10670/1.cud0s5
- isbn: 9781906924195
- eisbn: 9781906924201
https://creativecommons.org/licenses/by-nc-nd/4.0/ , info:eu-repo/semantics/openAccess
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Scotland history of copyright property controversies aesthetics culture economics publishing history printing privileges formalities History Law LAW050010 LNRCSujets proches
Frontier troubles Annals Copyright--Law and legislation Literary property Property, LiteraryCiter ce document
Mark Rose, « 3. The Public Sphere and the Emergence of Copyright: Areopagitica, the Stationers’ Company, and the Statute of Anne », Open Book Publishers, ID : 10670/1.cud0s5
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Note portant sur l’auteur Associated with the German philosopher Jürgen Habermas, the notion of the public sphere, or more precisely, the bourgeois public sphere, has become ubiquitous in eighteenth century cultural studies. Habermas has also been invoked by scholars concerned with media and democratic discourse. But so far as I know the relationship between the emergence of the public sphere and the emergence of copyright in early modern England has not been much discussed. What I want to do...