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info:eu-repo/semantics/altIdentifier/doi/10.1590/1982-2554130815
Lorenzo Vinciguerra, « Marca, imagem, signo: uma abordagem semiótica de Espinoza », HAL-SHS : histoire de l'art, ID : 10.1590/1982-2554130815
Instead of reading Spinoza’s account of the imagination in an anthropocentric way, as dependent on the traditional doctrine of human faculties, the author considers it as a consequence of its physics and its cosmology. The knowledge by signs, as Spinoza calls imagination, has to be rooted in his theory of marks and images, and concerns all beings (human and non-human) who are able to mark other bodies and to be marked by them in infinite semiosis of nature.