Re(M)ind: Composition and Generative Sound Design of a Multimodal Opera

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Auteurs
Date

17 décembre 2024

Discipline
Type de document
Périmètre
Langue
Identifiants
Source

HAL SHS (Sciences de l’Homme et de la Société)

Collection

Archives ouvertes

Organisation

Centre pour la communication scientifique directe

Licences

http://creativecommons.org/licenses/by/ , info:eu-repo/semantics/OpenAccess

Mots-clés En Und

Musical composition Sound design Opera Musical Cognition -Computer Interaction [cs.HC]

Sujets proches En

Acoustics

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Jônatas Manzolli et al., « Re(M)ind: Composition and Generative Sound Design of a Multimodal Opera », HAL SHS (Sciences de l’Homme et de la Société), ID : 10670/1.e48087...

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Résumé En

This paper explores the challenges encountered in the musical composition and generative sound design of Re(M)ind (2023), a multimodal opera creation. It focuses on achieving a delicate balance between artistic creativity and the technological solutions required to integrate musical elements with dynamic performer-machine interactions. The discussion will cover the aspects of composition, sound design and real-time performance that shape an immersive audience experience. Additionally, the paper addresses the technical complexities of incorporating generative music with operatic elements, interactive dance, and bio signals in real time, all while maintaining a cohesive artistic narrative.

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