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2021
- handle: 10670/1.evj750
- doi: 10.21083/csieci.v14i1.6424
Ce document est lié à :
Critical Studies in Improvisation ; vol. 14 no. 1 (2021)
©, 2021KarenNg, ScottThomson
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Serious music Musical compositions Art music Musical works Classical music Western music (Western countries) Art music, Western Western art musicCiter ce document
Karen Ng et al., « COVID-19 and the Creative Music Ecology », Critical Studies in Improvisation / Études critiques en improvisation, ID : 10.21083/csieci.v14i1.6424
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Résumé
Karen Ng and Scott Thomson reflect on the impact of the pandemic on the field of creative improvised music from their perspectives as performers, composers, and presenters. Along the way, they explore the nature and limitations of livestream performance, and articulate why, as co-programmers of the Guelph Jazz Festival, they have not presented livestream or other digital programming during the pandemic.