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8 juin 2021
- handle: 10670/1.eyjlxj
- isbn: 9781800640351
- eisbn: 9791036570339
https://creativecommons.org/licenses/by/4.0/ , info:eu-repo/semantics/openAccess
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Europe slavery race identity global history subjectivity exploitation empire sound difference early modernity the body musicology cosmopolitanism canon colonialism decolonisation Music PER000000 APSujets proches
Frontier troubles Description Description, geography International politics Global politics Colonialism Political history Subjectivism Acoustics Slave keeping Antislavery Enslavement Slaveholding Servitude Ownership of slaves Mui tsai Abolition of slavery Thralldom Slave system Musical research Music--Research Research, Musical Serious music Musical compositions Art music Musical works Classical music Western music (Western countries) Art music, Western Western art music Empires Neocolonialism Colonialism Expansion (United States politics) Annals Council of Europe countries Days of the week Comic literature Literature, Comic Neocolonialism Colonial affairs Anti-colonialism Colonialism Modernity Modern civilization Pre-Lenten festivities Mardi Gras (Festival) Fastnacht Fasnacht Identity, Race Identity, Racial Racial identityCiter ce document
Nina Treadwell, « 9. ‘Now Despised, a Servant, Abandoned’ », Open Book Publishers, ID : 10670/1.eyjlxj
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With this short description, the Duke of Urbino’s secretary, Urbano Urbani, compressed a series of complex musico-theatrical performances that occurred across the span of several days at the small city-state of Urbino during Carnival in 1513. Only briefly mentioned is the opening comedy Eutichia, which nevertheless addressed a subject close to the hearts of the Urbinate audience: the sacking of their city some ten years previously. The related thread governing Urbani’s account is the intermed...