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2017
- handle: 10670/1.fm7zdc
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littérature médiévale référent spatial géographie toponymie medieval literature spatial reference geography toponymySujets proches
Itineraries Travels Travel restrictions Journeys Voyages Poems Trips around the world Voyages around the world--1981- Circumnavigation Travels Voyages around the world--1951-1980 Journeys Travel books Tours around the world Travels Voyages and travels--1951-1980 Journeys Travel books Voyages and travels--1981- Trips Standard of value Toponomy Geography--Dictionaries--History Position analysis Analysis situs Rubber-sheet geometry Parliamentary government Representation Self-government Political representation Poetry--Philosophy Poems Verses (Poetry) Mechanical perspective Linear perspective Architectural perspective Geographical names Geographic names Place names Toponyms Placenames European literature--Medieval, 500-1500 Medieval literature Natural scenery Countryside Landscape Scenery Scenic landscapesCiter ce document
Salvatore Luongo et al., « ‘Epic geography’ of the Cantar de Mio Cid », Cahiers d’études hispaniques médiévales, ID : 10670/1.fm7zdc
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It is well known that one of the main concerns of medieval Spanish epic poems is topology: the Cantar de Mio Cid is marked by a great regard for geographical detail as observed in its characters’ journeys, its careful annotation of even the simpler toponyms or of the harder ones to localise. The representation of place, however, does not avoid the unique ‘perspective’ that imbues epic discourse from the standpoint of form, content and ideology, since the ‘plausibility’ of settings, landscapes and movements does inextricably coincide with their symbolical and metaphorical value.