2020
Ce document est lié à :
info:eu-repo/semantics/altIdentifier/doi/10.32621/ACOTACIONES.2020.45.01
info:eu-repo/semantics/OpenAccess
Inès Juliette Madeleine Guégo Rivalan, « RHYTHMIC DISTORTION AND SENSORY ANAMORPHOSIS: LUCES DE BOHEMIA’S LITERARITY THROUGH THE PRISM OF ‘PNEUMATICS’ », HAL-SHS : littérature, ID : 10.32621/ACOTACIONES.2020.45.01
: Alain Riffaud’s works suggest a new critical reading of dramatic prose: offering a distinct interpretation of Luces de bohemia’s prose dynamics through the prism of ‘pneumatics’ (Riffaud, 2007), the present article brings to light the existence, throughout the play, of a specific rhythm in Esperpento dramatic prose, which relates to the notion of sensory anamorphosis (visual and auditory), a polymorphous component that underlies the writing. Applying the notions of ‘pneumatics’ and ‘trompe-l’oreille’ (Féron, 2010) to the study of Ramón del Valle-Inclán’s dramatic prose allows to examine the characters’ language energy by articulating the notions of breath and breathing with that of sensory mirage.