10 juillet 2014
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info:eu-repo/semantics/altIdentifier/doi/10.5565/rev/redes.508
info:eu-repo/semantics/OpenAccess
Olivier Alexandre et al., « The singular collective: The author between their networks », HAL-SHS : sociologie, ID : 10.5565/rev/redes.508
In this article, we cross the inputs of the sociology of art and networks based on French cinema. This study is mainly the result of two surveys conducted between 2004 and 2006 for the first one, 2008 and 2012 for the second one concerning a population of "talents" (directors, actors, technicians and heads of post) and intermediates (producers, distributors, critics, operators). Beyond an individualizing speech (the "politique des auteurs" of the French "new wave"), French cinema can account chains of embeddedness, from tighter (dyads) to larger ones ("family"). This relational frame represents the structure of creative work and project economy, which are indeterminate, precarious and uncertain