1 janvier 2018
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info:eu-repo/semantics/altIdentifier/doi/10.5281/zenodo.1467636
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Waliya Joseph Yohanna, « C’est tout bon ! » de Corinne Albaut comme poésie numérique : Relation entre le texte et l’image », HAL-SHS : histoire de l'art, ID : 10.5281/zenodo.1467636
Digitization of book-poetry into visual poetry gives another aesthetic and hermeneutic outlook to the contemporary poetry. Such an artistic innovation has generally given birth to a new subgenre in the cyberliterature. Our study is concerned with the textual and pictographic analysis of Corinne Albaut’s visual poem called “C’est tout bon!” enabling us to show the metalinguistic relationships between Albaut’s texts and her pictographic representations. We shall use Vincent Foucaud’s and Bachleitner Norbert’s digital poetry theory, combined with distance reading, a symbolic close reading in order to give a valid interpretation of this global e-poem.