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8 juin 2021
- handle: 10670/1.gn4d7d
- isbn: 9781800640351
- eisbn: 9791036570339
https://creativecommons.org/licenses/by/4.0/ , info:eu-repo/semantics/openAccess
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Europe slavery race identity global history subjectivity exploitation empire sound difference early modernity the body musicology cosmopolitanism canon colonialism decolonisation Music PER000000 APSujets proches
Frontier troubles International politics Global politics Colonialism Political history Subjectivism Acoustics Slave keeping Antislavery Enslavement Slaveholding Servitude Ownership of slaves Mui tsai Abolition of slavery Thralldom Slave system Musical research Music--Research Research, Musical Serious music Musical compositions Art music Musical works Classical music Western music (Western countries) Art music, Western Western art music Empires Neocolonialism Colonialism Expansion (United States politics) Annals Council of Europe countries Death--Philosophy Dying End of life Neocolonialism Colonial affairs Anti-colonialism Colonialism Modernity Modern civilization Authoring (Authorship) Writing (Authorship) Documents Manuscript repositories Manuscript depositories Manuscripts--Repositories Manuscripts--Depositories Primary sources Forerunners Primary sources Identity, Race Identity, Racial Racial identity Attribution of authorship songeCiter ce document
Emily Wilbourne, « 6. Little Black Giovanni’s Dream », Open Book Publishers, ID : 10670/1.gn4d7d
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The poem, ‘Sogno di Giovannino Moro’, survives in a single manuscript copy, undated and unattributed, in the Medicean archives in Florence; the first page is shown as Figure 6.1. Throughout this chapter, I attribute authorship of the ‘Sogno’ to the enslaved Black chamber singer Giovannino Buonaccorsi, who was active at the Medici court between 1651 and his death on August 15, 1674. Buonaccorsi is often identified in contemporary sources by the name Giovannino Moro, Giovannino il Moro [Little ...