4 juillet 2018
https://creativecommons.org/licenses/by/4.0/ , info:eu-repo/semantics/openAccess
Myroslava M. Mudrak, « 4. Kazimir Malevich, Symbolism, and Ecclesiastic Orthodoxy », Open Book Publishers, ID : 10670/1.ighx27
The abstract, non-objective Suprematist paintings of Kazimir Malevich serve as prime examples of spirituality in Russian modernist art. There is no greater testament to this fact than the symbolic placement of Black Square (fig. 5.2) at the launch of Suprematism at the 0.10 Exhibition in 1915 at the Dobychina Gallery in Petrograd (fig. 5.3). Malevich positioned the painting in the corner of one of the rooms of the gallery, close to the ceiling, deliberately emulating the common practice among...