Pancho Villa and His Resonance in the Border Paradigm

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2011

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Estudios sobre las Culturas Contemporáneas




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Euna Lee, « Pancho Villa and His Resonance in the Border Paradigm », Estudios sobre las Culturas Contemporáneas, ID : 10670/1.iycjnp


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"Legendary Mexican heroes have reemerged in the public space to meet the varying political, artistic or commercial needs of the various sectors of both the Mexican and American society. I intend to delve into iconic figure of Pancho Villa in relation to a theoretical framework of the border region. My paper pursues answers to the following questions: what sort of relevant role does the Mexican revolutionary icon undertake for current Chicano/Latino life? To what extent does Villa still have a certain political or ideological viability that speaks for and to communal interests of Chicanos or Latinos? I want to focus on how the figure of Villa is evoked in relation to a number of border concepts because Villa himself inspires questions about the representation of images of the border, as an allegorical construct of the unrepresented/ misrepresented physical frontier. I examine the ways in which his presence is invoked, discussed, and re-appropriated in theoretical, literary, and filmic works whose thematic figurations revolve around the border. Organizing my discussion in three parts, I analyze how the figure of Villa is reincarnated in three contexts: drama, film, and folklore always in dialogue with issues of border culture, border identity and border representation. I propose that the figure of Villa signals persistent conflicts and ongoing debates involving the border region as it returns, repeatedly, as a popular icon for both the U.S. mainstream society and the Chicano/Latino community."

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