1 juin 2015
https://creativecommons.org/licenses/by-nc-nd/4.0/ , info:eu-repo/semantics/openAccess
Margaret Mills Harper et al., « Editors’ Introduction », Open Book Publishers, ID : 10670/1.l4w4ig
THE MASK, a symbolic object used for disguise, as protection, and in performance in many cultures and for most of human history, has been associated with practices as various as ancient religious ritual and contemporary psychoanalysis. That the Mask had an enduring fascination for Yeats, and that a number of principles that are useful in reading his work can be understood by means of the concepts associated with it, is hardly a surprising notion. Indeed, the opposite is true. Yeats’s Mask is ...