6 avril 2021
https://creativecommons.org/licenses/by/4.0/ , info:eu-repo/semantics/openAccess
Roger Paulin, « Introduction », Open Book Publishers, ID : 10670/1.m3oikk
The story of Mary Queen of Scots as a dramatic subject had been on Schiller’s mind since as early as 1783. It featured again on the so-called ‘Big List of Dramas’ that he started around 1797, as number four (Wallenstein is number two). This marks Schiller’s return to dramatic production after years of history-writing and philosophical study. By early 1799 he was writing to Goethe that he was studying the sources on the history of Scotland, and in the summer of the same year he was able to ske...