- Schools and Scriptoria: Haghpat and Gladzor, p. 110-111 - Khizan Style, p. 206 - Julfa Style, p. 211

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Frontier troubles Relics and reliquaries Textiles Textile industry and fabrics Cloth Fabrics Copying rooms Writing rooms Cloverleaf (Highway engineering) Grade separation (Highway engineering) Interchanges (Highway engineering) Crossroads Intersections (Highway engineering) Articles, Religious Sacred objects Objects, Religious Religious goods Religious objects Religious art objects Snapshots Photos Individuals (Persons) People Mohammedans Mussulmans Moslems Moors (People) Musalmans Mussulmen Mussalmans Muhammadans Museums--Technique Museology Mongolians Friaries Cloisters (Religious communities) Medieval history History, Medieval Middle Ages--History Medieval period World history, Medieval Dark Ages People Man Humanity (Human beings) Human race Mankind Homo sapiens Humankind Humans Persians Iranis Illuminated manuscripts Miniatures (Illumination of books and manuscripts) Manuscripts--Illustrations Manuscripts, Illuminated Ornamental alphabets Annals Social identity Cultural identity Community identity Collective identity Paws Paw Feet Council of Europe countries Papers, Collected (Anthologies) Collected papers (Anthologies) Cultural sociology Culture--Social aspects Sociology of culture Community Europe--Civilization--476-1492 Medieval civilization Middle Ages--Civilization Civilization, Medieval--History Churches Christianity--19th century Medieval art Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries) Arts

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Anna Leyloyan-Yekmalyan, « - Schools and Scriptoria: Haghpat and Gladzor, p. 110-111 - Khizan Style, p. 206 - Julfa Style, p. 211 », HAL-SHS : histoire de l'art, ID : 10670/1.nece81


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At the foot of Mount Ararat on the crossroads of the eastern and western worlds, medieval Armenians dominated international trading routes that reached from Europe to China and India to Russia. As the first people to convert officially to Christianity, they commissioned and produced some of the most extraordinary religious objects of the Middle Ages. These objects—from sumptuous illuminated manuscripts to handsome carvings, liturgical furnishings, gilded reliquaries, exquisite textiles, and printed books—show the strong persistence of their own cultural identity, as well as the multicultural influences of Armenia’s interactions with Romans, Byzantines, Persians, Muslims, Mongols, Ottomans, and Europeans.This unprecedented volume, written by a team of international scholars and members of the Armenian religious community, contextualizes and celebrates the compelling works of art that define Armenian medieval culture. It features breathtaking photographs of archaeological sites and stunning churches and monasteries that help fill out this unique history. With groundbreaking essays and exquisite illustrations, Armenia illuminates the singular achievements of a great medieval civilization.

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