August 19, 2021
Tyne Daile Sumner, « Up-Close, Far Away », Literature and the Face: A Critical History, ID : 10670/1.nsstg2
Reflecting on cinema’s love of the close-up, in 1924 the Hungarian film critic and poet Béla Balázs observed: ‘In close-ups every wrinkle becomes a crucial element of character and every twitch of a muscle testifies to a pathos that signals great inner events.’ When we think of close-ups of the human face, cinema is often the medium that comes to mind. On film, enlarged faces take audiences into a different reality, transporting us to the ‘inner events’ of another person’s emotions and...