Le pouvoir de l’image : Le Mois de la Photo à Montréal, 2001

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Date

2002

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Identifier
Source

CV Photo

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This document is linked to :
CV Photo ; no. 56 (2002)

Collection

Erudit

Organization

Consortium Érudit

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Tous droits réservés © Les Productions Ciel variable, 2002


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image-représentation

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Guy Bellavance, « Le pouvoir de l’image : Le Mois de la Photo à Montréal, 2001 », CV Photo, ID : 10670/1.nxy2rz


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Abstract 0

This commentary on The Power of the Image, the seventh edition of Mois de la Photo à Montréal, emphasizes the presence this year of three fundamental trends: postcolonialism, deconstruction of the image, and interventions in the public space. Within each of these trends, the author notes the particular interest in certain proposed visions: the Shirin Neshat retrospective, in relation to the postcolonial movement; the projects by Emmanuelle Léonard and Alain Declercq, in relation to interventions in the urban space; and with regard to deconstruction, the video-film installation by Mark Lewis and the photo-video exhibition De quelques rituels masculins.

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