Fiche du document
13 octobre 2021
- handle: 10670/1.odtj2w
- isbn: 978-1-4503-8420-9
- hal: hal-03634176
- doi: 10.1145/3483529.3483683
Ce document est lié à :
info:eu-repo/semantics/altIdentifier/doi/10.1145/3483529.3483683
http://creativecommons.org/licenses/by-nd/ , info:eu-repo/semantics/OpenAccess
Mots-clés
Avatar direction mixed reality motion capture performing arts virtual theatre Avatar directionmixed realitymotion captureperforming arts virtual theatre Avatar Réalité mixte Capture de mouvement ThéâtreSujets proches
Stage Dramatics Histrionics Theatre Professional theater Show business Audiences, Communication Communication audiencesCiter ce document
Georges Gagneré et al., « Keeping the living bond between actors and remote audiences in distributed virtual theater », HAL-SHS : histoire de l'art, ID : 10.1145/3483529.3483683
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Résumé
This paper introduces a new method to achieve remote distributed performances using a virtual shadow theater and real time motioncapture. It was used during the lockdowns in France in 2020-21 to reach remote scholar audiences with The Wizard without Shadow performance. After a review of remote distributed virtual experiments in performing arts, the paper details the creation-as-research process that leads to two versions of the same story. It shows how the quality of the theatrical bond between the actor and the audience of the first face-to-face version is maintained in the second remote version combining a video conference platform and live motion capture in a video game engine to bring actors performancesto two remote distributed audiences.