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25 mai 2023
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Jean-Marc Poinsot, « The Theoretical Aim of Criticism », Critique d’art, ID : 10670/1.owb8zy
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Rosalind Krauss is not a journalist, nor has she forged her critical convictions or formulated her commitments to suit the chronicles, like her mentor in the art, Clement Greenberg. Nor is she an art historian persuaded that historical causality can answer all the questions she raises about works of art. Her reading of Barthes prompted her to fight historicism, move away from the normative art history of modernism, and develop a theoretical line of thought not in abstracto, but in a direct co...