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27 novembre 2018
- handle: 10670/1.qhb3al
- hal: hal-04450678
- doi: 10.14393/OUV23-v14n2a2018-1
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Work, Method of Industry (Psychology) Method of work Thoroughfares Avenues Boulevards Sensory biology Sensation Sensory systems Scientific research Science research Science--Research Art in motion Art, Kinetic Donations Presents Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries)Citer ce document
Nikoleta Kerinska, « Sensações cinéticas: Palatnik e o movimento como tema na arte », HAL-SHS : histoire de l'art, ID : 10.14393/OUV23-v14n2a2018-1
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Résumé
This text introduces some ideas on movement as a notion in art and, in a network of connections that are not always explicit, presents the articles organised in the dossier "Kinetic Sensations: Palatnik and movement as a theme in the visual arts". Movement as an artistic subject in Pa-latnik's work, as well as in the context of kinetic art, marks an initial af-fection, detected many years ago, but sharpened following a prolific encounter with the researcher Marjolaine Beuzard. Contact with Marjolaine's research has made the 'kinetic sensation' dense and plural. It unfolds towards questions about the temporality of the image, the origins of the moving image and its editing possibilities, towards the cinematographic image and its reappropriation by artists, but also towards the computer-generated image and localised media. Without wishing to exhaust the theme of movement, a number of approaches are suggested with the aim of providing some kinetic sensations as avenues for reflection.