Documenting acousmatic music interpretation: a developmental framework based on cross self-confrontations
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2021
- handle: 10670/1.sudswy
- halshs: halshs-03082745
- doi: 10.1080/14794713.2020.1864712
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info:eu-repo/semantics/altIdentifier/doi/10.1080/14794713.2020.1864712
info:eu-repo/semantics/OpenAccess
Mots-clés
Acousmatic music interpretation sound projection documentation framework cross selfconfrontationsSujets proches
Serious music Musical compositions Art music Musical works Classical music Western music (Western countries) Art music, Western Western art musicCiter ce document
Guillaume Boutard et al., « Documenting acousmatic music interpretation: a developmental framework based on cross self-confrontations », HAL-SHS : sciences de l'information, de la communication et des bibliothèques, ID : 10.1080/14794713.2020.1864712
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Résumé
The investigation of acousmatic music interpretation as a distinct activity from composition calls for the investigation of appropriate documentation frameworks. This paper investigates the relevance of cross self-confrontations to capture all dimensions of interpretation of acousmatic music from a dialogical and developmental perspective. This study is the second phase of the project Interpretation Spatiale des Musiques Electroacoustiques (ISME), following a theoretical investigation of acousmatic music interpretation It is based on the automated re-enactment of several performances conducted during an acousmatic interpretation workshop and master class at LaBRI-SCRIME in 2015. The analysis presents the practical and theoretical relevance of the framework in relation to the dimensions of acousmatic interpretations conceptualized during the first phase of the project based on semi-structured interviews.