Fiche du document
- handle: 10670/1.ubytlq
- hal: hal-01287095
- doi: 10.1111/1754-0208.12198
Ce document est lié à :
info:eu-repo/semantics/altIdentifier/doi/10.1111/1754-0208.12198
Mots-clés
axe2 clair-obscur Histoire des concepts Je-ne-sais-quoi métaphore Querelle des Anciens et des Modernes Querelle du coloris Roger de PilesSujets proches
Knowledge--Philosophy Plays Legends and stories Novels Stories High income people Wealthy people Affluent people Rich Rich people--Economic conditions Rich, The Dance and music Mental philosophy Supraliminal perception Parabole Supposition Assumption Frenchmen (French people) Novels Novellas (Short novels) Fiction--Philosophy Metafiction Stories Proof 18th century Stage Drama, Modern Plays Drama--Philosophy Concept formation Clairobscur Arts, Occidental Arts, Western Fine arts Arts, Fine Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries) Use ofCiter ce document
Mark Darlow et al., « Introduction », HAL-SHS : littérature, ID : 10.1111/1754-0208.12198
Métriques
Partage / Export
Résumé
Clair-obscur offers a rich case-study for the use of metaphor in eighteenth-century France. Far from being a neutral translation from the Italian chiaroscuro, the appearance of the term is intimately linked to the Querelle du coloris, whose stakes are specifically French. Its propagation at the turn of the eighteenth century may explain why it was exported away from the fine arts towards figurative meanings, often bearing its originally polemical dimension and illustrating a shift in aesthetic perception and reception. This volume aims to provide some evidence for this hypothesis in fields such as drama, music and dance, philosophy and fiction.