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2018
- handle: 10670/1.w6c61q
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musique contemporaine Steve Reich sociologie des processus engagement politique théorie empiriquement fondéeSujets proches
Music and songs Education, Industrial Industrial schools Industrial education Mental imagery Mental images Imagery, Mental Images, Mental Paws Hands Paw Concept formation ACT (Psychotherapy) Music and songs ACT (Psicoterapia) Terapia ACT Ideas Nociones Arte musical Composiciones musicales Música clásica Obras musicales Manualidades ACT Oeuvres musicales Art musical Musique classique Chants et musique Musique savante Manus (anatomie) Notions (philosophie) Notion (philosophie) Concepts ACM ACT Activités manuelles dirigées Travaux manuels éducatifs Activités créatrices textiles Travail manuel éducatif Activités créatrices et manuelles éducatives Apprentissage manuel Travaux manuels emploi-fonction fonction fonction-emploi métier professionCiter ce document
Jean-François Orianne, « Débattre la mesure : l’imagination sociologique de Steve Reich », Revue française d’études américaines, ID : 10670/1.w6c61q
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This article aims to identify the contributions of Steve Reich’s music to sociology. His music reveals three main characteristics: it is made out of empirical material collected on the field; it is a theory of processes; it is a political and cultural act. Steve Reich’s music affects sociology on these three points: it reminds the sociologist of the nature of his craft and his commitment to the social world, questions his methods and practice; it even sheds light on his own concepts (in particular that of “process”). The author proposes to extract from Steve Reich’s compositional work some useful elements for the profession of sociologist.