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2009
- handle: 10670/1.xxhnhy
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Mechanical perspective Linear perspective Architectural perspective Polyphony Primary sources Forerunners Primary sources Perspectiva arquitectónica Perspectiva lineal Perspectiva mecánica Conception de projet Conception Sources d'inspiration Sources historiques Musique polyphonique Perspective (art) Perspective (architecture) Perspective linéaire Perspective aérienne (peinture)Citer ce document
Alfredo M. Lescano, « Pour une étude du ton », Langue française, ID : 10670/1.xxhnhy
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In this article, I intend to re-examine the perspective known in French linguistics as the “Théorie de la polyphonie” by discussing the nature of the “voices”, technically called énonciateurs , that the term polyphony allows us to “hear” (or to refuse to “hear”) within the meaning of utterances. After briefly criticizing the conception of énonciateurs as sources of viewpoints, I will define them as “tones” (section 1). This non-exhaustive presentation will describe three énonciateurs (section 2) and offer some discursive criteria for identifying them (section 3).