Le message social des représentations familiales sur les monumenta des affranchis romains

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Date

2018

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Périmètre
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Vita Latina

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MESR

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Copyright PERSEE 2003-2023. Works reproduced on the PERSEE website are protected by the general rules of the Code of Intellectual Property. For strictly private, scientific or teaching purposes excluding all commercial use, reproduction and communication to the public of this document is permitted on condition that its origin and copyright are clearly mentionned.



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Gurvane Wellebrouck, « Le message social des représentations familiales sur les monumenta des affranchis romains », Vita Latina, ID : 10670/1.zviq2b


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The representation of the portraits and the sculptures of Roman Antiquity is a window open on the civilisation and the lifestyle of the men and the women of this period ; among them, the formers slaves, frequently used the funerary art, thanks to which reached us, not only registrations that freedmen had made engrave, but also constructions of low-reliefs and altars, allowing us to put faces whose social situation was detectable by their nomenclature. This double reading, textual and visual, which is the subject of our reflection, is based on the one hand on epigraphically sources, rich in information as for the private life of freedmen and freedwomen in the Imperial Roman period and on the other hand on the study of the composition of these monumenta, until a social reading in order to looking further into the knowledge about this freed population.

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