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23 janvier 2013
- handle: 10670/1.zyihl2
- isbn: 9781858660127
- eisbn: 9789633860021
https://www.openedition.org/12554 , info:eu-repo/semantics/restrictedAccess
Mots-clés
Bauhaus school Weimar Republic Nazism political implications ideas artistic movement cultural centre design mass production personal life inner conflicts Art History ART015100 ACXDSujets proches
Instruction and study--Methods Voyages and travels--Views Geography--Views Natural scenery Scenery Ideal states States, Ideal Utopian literature Nurture and nature Nature versus nurture Genetics and environment Nature--Nurture Environment Heredity and environment Nazism Life--Philosophy Environment Ecological science Environmental biology Bionomics Ecological sciences Environment Balance of nature Oecology Biology--Ecology Ecological processes Fall Western art (Western countries) Fine arts Iconography Arts, Fine Art, Occidental Arts, Visual Visual arts Occidental art Art, Visual Art, Western (Western countries) Environment Instruction and study--Methods ArtsCiter ce document
Éva Forgács, « Chapter 15. Parallel Fates? Weimar, Dessau and Moscow », Central European University Press, ID : 10670/1.zyihl2
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WHEN in the autumn of 1930 Meyer took the train to Moscow, he as it were with his own body, drew a line connecting Bauhaus utopias and views of art to the parallel Soviet Russian theories. The wider historical and intellectual environment of the Bauhaus included not only those currents of international Constructivism that played a significant role in Germany, but also the source, the Soviet Russian avant-garde, with all of its ecstatic enthusiasm, sober pragmatism and analytic methods, futuri...